Great Escapes Subscriptions

2018-2019 Season

Following a season of sell-outs, these concerts blend Pops music with light classics and feature different conductors. A Great Escapes subscription remains the best way to ensure you’ll enjoy these casual, themed concerts of popular favorites.

The six concert series include Pops and light classics with commentary by the conductor. Two first-time conductors Alexandra Arrieche and Chung Park, join audience favorites Andrew Lane and Christopher Confessore.

Request a subscription brochure to be mailed. For more information, contact the Box Office at 941.953.3434.

Wednesday

$195/C, $265/B

6 Concerts at 5:30pm
Holley Hall
Musical America
Great Escapes 1
October 10, 2018
'Tis the Season
Great Escapes 2
December 5, 2018
Shuffle
Great Escapes 3
January 23, 2019
A Many Splendored Thing
Great Escapes 4
February 13, 2019
Sounds of the Stage
Great Escapes 5
March 20, 2019
Dance, Dance, Dance!
Great Escapes 6
May 1, 2019
* Wednesday and Friday series are abbreviated and without intermission.

Thursday

$235/C, $300/B

6 Concerts at 7:30pm
Holley Hall
Musical America
Great Escapes 1
October 11, 2018
'Tis the Season
Great Escapes 2
December 6, 2018
Shuffle
Great Escapes 3
January 24, 2019
A Many Splendored Thing
Great Escapes 4
February 14, 2019
Sounds of the Stage
Great Escapes 5
March 21, 2019
Dance, Dance, Dance!
Great Escapes 6
May 2, 2019

Friday

$195/C, $265/B

6 Concerts at 5:30pm
Holley Hall
Musical America
Great Escapes 1
October 12, 2018
'Tis the Season
Great Escapes 2
December 7, 2018
Shuffle
Great Escapes 3
January 25, 2019
A Many Splendored Thing
Great Escapes 4
February 15, 2019
Sounds of the Stage
Great Escapes 5
March 22, 2019
Dance, Dance, Dance!
Great Escapes 6
May 3, 2019
* Wednesday and Friday series are abbreviated and without intermission.

Saturday<br><small>(Enchanted Evenings)</small>

Saturday
(Enchanted Evenings)

$235/C, $300/B, $475/A

6 Concerts at 8:00pm
Holley Hall
Musical America
Great Escapes 1
October 13, 2018
'Tis the Season
Great Escapes 2
December 8, 2018
Shuffle
Great Escapes 3
January 26, 2019
A Many Splendored Thing
Great Escapes 4
February 16, 2019
Sounds of the Stage
Great Escapes 5
March 23, 2019
Dance, Dance, Dance!
Great Escapes 6
May 4, 2019

Substantial Savings

Subscribers save up to 35% off of single ticket prices, depending upon the series.

The Best Seats

Subscribers are given seat assignments before single tickets go on sale in September. Subscribers get the best available seats in their section of preference.

Free Ticket Exchange

We understand you are busy. That’s why subscribers get free ticket exchanges. Subscribe now risk free.

Reviews

Written byHerald Tribune

There's no doubt, audiences are thrilled by the Sarasota Orchestra's new music director, Anu Tali. She's brought an intense energy from the orchestra in previous performances and we found this yet again in a downright thrill ride of an encounter...

Literally gripping the arms of my seat, I was not the only one propelled on this rollercoaster of delightful music.

Every section and soloist within the orchestra played their role with strength and beauty; every tree proud and tall. Tali served as an excellent guide leading the forces with assured confidence. The overall sound was lush and, yes, intense just where it needed to be.

The Sarasota Orchestra was brimming with bubbling energy...

A lifetime of musical moments, cinematic in scope, gave every section of the orchestra a leading role at one time or another. Chief among them was the virtuosic solo of concertmaster Daniel Jordan.

It was a thrill ride resulting in an explosion of audience enthusiasm.

Tali conveyed a clear vision for the dramatic outline of this symphony, carefully pacing the darker, searching character of the music with pastoral conversations among voices in the orchestra.

Written byThe Observer

If you haven’t seen Tali yet, this will be a great introduction to the skyrocketing conductor who’s quickly becoming a household name around the world. You’ll see why we feel we’re lucky to have her here.

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