Max Tan

Max Tan

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Violin

First season with the SO: 2018


Praised as "eloquent" by the New York Times and a "warmly rhapsodic player" by the Boston Globe, Taiwanese-American violinist Max Tan has performed as soloist with the Juilliard Orchestra, Lowell Philharmonic, Longwood Symphony, Boston Philharmonic Youth, and Harvard-Radcliffe Orchestras, appearing on prominent stages in the United States and abroad in Europe. An avid chamber musician, his many festival appearances include Yellow Barn, Ravinia Steans Music Institute, Pacific Music Festival, White Mountains Festival, Olympic Music Festival, and the

Perlman Music Program. Mr. Tan has served as concertmaster of the Harvard- Radcliffe, the Boston Philharmonic Youth, and Juilliard Orchestras and recently

joined the roster of the Sarasota Orchestra. Highlights of the 2017-18 season include performing his Kennedy Center debut, being awarded joint 1st-prize at the 46th Hudson Valley Philharmonic

International String Competition, a recital at The Perlman Music Program's Stires- Stark Alumni Recital Series and several chamber music performances with the New

Asia Chamber Music Society at the Taipei Economic and Cultural Office and Weill Recital Hall at Carnegie. His other past projects include music and medicine events hosted by the Harvard Medical School and the Harvard Fogg Museum and collaborations with artists such as Itzhak Perlman, Roger Tapping, Hsin-Yun Huang, Natalia Gutman, Paul Katz, and members of the Orpheus Chamber Orchestra and A Far Cry.

A graduate of Harvard College, Mr. Tan holds a bachelor degree in human developmental and regenerative biology, a secondary degree in music, and was awarded the David McCord Prize. He received his Master's degree in May 2017 from The Juilliard School as a proud recipient of the prestigious Kovner Fellowship. Mr. Tan is currently pursuing his Artist Diploma at The Juilliard School as a student of Donald Weilerstein and Catherine Cho, and holds a Celia Ascher Fellowship.

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Reviews

Written byHerald Tribune

 There's no doubt, audiences are thrilled by the Sarasota Orchestra's new music director, Anu Tali. She's brought an intense energy from the orchestra in previous performances and we found this yet again in a downright thrill ride of an encounter...  

Written byHerald Tribune

 Literally gripping the arms of my seat, I was not the only one propelled on this rollercoaster of delightful music.  

Written byHerald Tribune

 Every section and soloist within the orchestra played their role with strength and beauty; every tree proud and tall. Tali served as an excellent guide leading the forces with assured confidence. The overall sound was lush and, yes, intense just where it needed to be.  

Written byHerald Tribune

 The Sarasota Orchestra was brimming with bubbling energy...  

Written byHerald Tribune

 A lifetime of musical moments, cinematic in scope, gave every section of the orchestra a leading role at one time or another. Chief among them was the virtuosic solo of concertmaster Daniel Jordan.  

Written byHerald Tribune

 It was a thrill ride resulting in an explosion of audience enthusiasm.  

Written byHerald Tribune

 Tali conveyed a clear vision for the dramatic outline of this symphony, carefully pacing the darker, searching character of the music with pastoral conversations among voices in the orchestra.  

Written byThe Observer

 If you haven’t seen Tali yet, this will be a great introduction to the skyrocketing conductor who’s quickly becoming a household name around the world. You’ll see why we feel we’re lucky to have her here.  

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