This program showcases lesser-known versions of famous works. Beethoven wrote three overtures to his opera Fidelio, but was still unsatisfied. The concert features his fourth and final version. Tchaikovsky’s Rococo Variations was altered by the cellist who premiered it, becoming the standard version. The original version of the work as Tchaikovsky composed it will be performed. Mahler’s Blumine was cut by the composer from his Symphony No. 1. In this concert, it stands on its own. Mozart composed two different slow movements for his Symphony No. 31, hoping to generate more audience enthusiasm. Sarasota Orchestra performs both movements, and our audience members will decide which they prefer!

Music Director Giancarlo Guerrero conducts a richly compelling program pairing Leonard Bernstein and Gustav Mahler. Violinist Chee-Yun brings her “high gloss tone” (The New York Times) to Bernstein’s Serenade (after Plato’s Symposium). The masterwork is an exploration of the nature and purpose of love and is one of Bernstein’s most lyrical compositions. Mahler’s Fifth Symphony is a towering work, showcasing an enormous orchestra and Mahler’s legendary emotional power. Fierce yet uplifting, it provides a majestic conclusion to the Masterworks season.

The program features Beethoven’s iconic Fifth Symphony, whose four opening notes are recognized the world over and whose sheer power remains unmatched. One of the most popular symphonies of all time, every performance brings something memorable to enthusiastic audiences. Brahms composed his Academic Festival Overture as a musical thank-you for his awarding of an honorary doctorate. The lighthearted work incorporates several student “beer hall” songs and spotlights Brahms’ sense of humor. Cellist Zlatomir Fung performs Dvořák’s glorious Cello Concerto, adored for its nobility and sentimentality.

Spring is in the air as Sarasota Orchestra offers a program of monumental works, each of which broke new ground in their day. Stravinsky’s Rite of Spring was so novel and unprecedented that a riot broke out at its premiere. A tour de force for the orchestra musicians and conductor, its live performance is a not-to-be-missed event. Violinist Benjamin Beilman brings his trademark flair to Mozart’s final and most virtuosic violin concerto. The program opens with Joan Tower’s 1920/2019, composed in 2019 to honor the 1920 passage of the 19th amendment granting women suffrage.