About
Samuel Coleridge-Taylor’s work for nine players premiered in 1894 and was not heard again until recently. It showcases the composer’s admiration for Dvořák while revealing his distinctive, late-Romantic voice. Dvořák’s Serenade for Strings, composed as his fame was on the rise, solidified his reputation as a master composer. Pianist and Mozart scholar Robert Levin leads the Festival Orchestra from the keyboard in Mozart’s Piano Concerto No. 17, which was the last of four concertos he composed between 1784 and 1786 and remains one of the composer’s most popular works.
