Carmen Bannon

Carmen Bannon

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Flute

First year with SO: 1994

Hometown: St. Petersburg, FL

Instrument: Carmen plays on a Brannen flute with a Lafin headjoint. Her primary piccolo is a Burkart with an Eldred Spell headjoint. Carmen also owns two E flat flutes.


Education:
University of South Florida, University of Michigan, University of Oklahoma

Biography:
Carmen currently plays flute with the Sarasota Orchestra, Charlottesville Opera in the summer, and extra/substitute with the Florida Orchestra and Orlando Philharmonic. Previously she played extra/substitute with the Oklahoma Symphony.

She began playing the flute at age 7 taking lessons from her dad, Harry T. Newell, who was a life-long professional musician. Later she studied with Carl Hall (piccoloist with the Atlanta Symphony), Martha Rearick, Keith Bryan, Christine Smith and Peter Lloyd. She was a member of the flute group inspired by the flutist Trevor Wye called "Wyes Guys", later renamed "Tour de Flute" which performed at various National Flute Conventions, and toured Mexico. She was Principal Piccolo with the Orquesta Sinfonica de Mineria in Mexico City for eight summers with Masterworks programs, Crested Butte Music Festival, extra with the Colorado Music Festival, Alaska Festival of Music. Teaching positions have included one year appointments to University of South Florida and University of Oklahoma

Passions/Interests:
Carmen enjoys travelling with her family in her spare time.

Career Highlights:
Some of Carmen's proudest musical accomplishments include:

  • Touring with the Dresden Philharmonic.
  • Took part in a Marcel Moyse masterclass when he was 90.
  • Performing Brandenburg 4 with Carol Wincenc.
  • Spending countless masterclasses with Julius Baker, who loved to come here from New York in February (Geoffrey Gilbert classes were also a favorite).
  • Working with Jahja Ling, Michael Christie, Giora Bernstein, Eduardo Mata, Stefan Sanderling, Michael Sanderling, Arthur Fiedler, and Reiner Miedel.

 

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Reviews

Written byHerald Tribune

 There's no doubt, audiences are thrilled by the Sarasota Orchestra's new music director, Anu Tali. She's brought an intense energy from the orchestra in previous performances and we found this yet again in a downright thrill ride of an encounter...  

Written byHerald Tribune

 Literally gripping the arms of my seat, I was not the only one propelled on this rollercoaster of delightful music.  

Written byHerald Tribune

 Every section and soloist within the orchestra played their role with strength and beauty; every tree proud and tall. Tali served as an excellent guide leading the forces with assured confidence. The overall sound was lush and, yes, intense just where it needed to be.  

Written byHerald Tribune

 The Sarasota Orchestra was brimming with bubbling energy...  

Written byHerald Tribune

 A lifetime of musical moments, cinematic in scope, gave every section of the orchestra a leading role at one time or another. Chief among them was the virtuosic solo of concertmaster Daniel Jordan.  

Written byHerald Tribune

 It was a thrill ride resulting in an explosion of audience enthusiasm.  

Written byHerald Tribune

 Tali conveyed a clear vision for the dramatic outline of this symphony, carefully pacing the darker, searching character of the music with pastoral conversations among voices in the orchestra.  

Written byThe Observer

 If you haven’t seen Tali yet, this will be a great introduction to the skyrocketing conductor who’s quickly becoming a household name around the world. You’ll see why we feel we’re lucky to have her here.  

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