Life Affirmed

Chamber Soirées

Single tickets go on sale Tuesday September 3, 2019

October 13, 2019Sunday | 4:00 pm | Holley Hall

Program

HAAS    Wind Quintet, Op. 10

Betsy Traba, flute; TBD, oboe; Bharat Chandra, clarinet / E-flat clarinet; Joshua Horne, horn; Fernando Traba, bassoon

BRAHMS    Piano Quartet No. 1 in G Minor, Op. 25

Jennifer Best Takeda, violin; Matthew Pegis, viola; Christopher Schnell, cello; Jonathan Spivey, piano

The life affirming nature of music is on display in this program featuring works by Brahms and the Czech composer Pavel Haas. Haas’ Quintet for Winds was composed in 1929, some 15 years before the composer would be murdered in Auschwitz. The work is deeply rooted in Haas’ love of Moravian folk music and Hebrew chant, and is infused with a sense of hope that permeates all his works.  Johannes Brahms began work on his Piano Quartet No. 1 the year after the death of his friend Robert Schumann, and the premiere of the piece saw Robert’s widow Clara at the piano. The expansive work was the first of Brahms’ chamber music to achieve wide success. Its final movement, a “gypsy rondo”, will provide a thrilling conclusion to this powerful program.

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Reviews

Written byHerald Tribune

 There's no doubt, audiences are thrilled by the Sarasota Orchestra's new music director, Anu Tali. She's brought an intense energy from the orchestra in previous performances and we found this yet again in a downright thrill ride of an encounter...  

Written byHerald Tribune

 Literally gripping the arms of my seat, I was not the only one propelled on this rollercoaster of delightful music.  

Written byHerald Tribune

 Every section and soloist within the orchestra played their role with strength and beauty; every tree proud and tall. Tali served as an excellent guide leading the forces with assured confidence. The overall sound was lush and, yes, intense just where it needed to be.  

Written byHerald Tribune

 The Sarasota Orchestra was brimming with bubbling energy...  

Written byHerald Tribune

 A lifetime of musical moments, cinematic in scope, gave every section of the orchestra a leading role at one time or another. Chief among them was the virtuosic solo of concertmaster Daniel Jordan.  

Written byHerald Tribune

 It was a thrill ride resulting in an explosion of audience enthusiasm.  

Written byHerald Tribune

 Tali conveyed a clear vision for the dramatic outline of this symphony, carefully pacing the darker, searching character of the music with pastoral conversations among voices in the orchestra.  

Written byThe Observer

 If you haven’t seen Tali yet, this will be a great introduction to the skyrocketing conductor who’s quickly becoming a household name around the world. You’ll see why we feel we’re lucky to have her here.  

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