Carmen Bannon

Carmen Bannon

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Flute

First Season with SO: 1989


Carmen currently plays flute with the Sarasota Orchestra, Charlottesville Opera in the summer, and extra/substitute with the Florida Orchestra and Orlando Philharmonic. Previously she played extra/substitute with the Oklahoma Symphony.

She began playing the flute at age 7  taking lessons from her dad, Harry T. Newell, who was a life-long professional musician. Later she studied with Carl Hall (piccoloist with the Atlanta Symphony), Martha Rearick, Keith Bryan, Christine Smith and Peter Lloyd. She was a member of the flute group inspired by the flutist Trevor Wye called "Wyes Guys", later renamed "Tour de Flute" which performed at various National Flute Conventions, but also toured England and Mexico.

Various past summer activities have included playing Principal Piccolo with the Orquesta Sinfonica de Mineria in Mexico City for 8 summers with 9 weeks each of back to back Masterworks programs. She also played with the  Crested Butte Music Festival, extra with the Colorado Music Festival in Boulder, with both Giora Bernstein and Michael Christie as conductors, Alaska Festival of Music with Reiner Miedel, conductor of the Seattle Symphony, and was the flute teacher at the Alaska Fine Arts Camp in Wasilla Alaska. Other teaching positions have included several universities in Oklahoma and also was appointed to a one year teaching position filling in during a sabbatical at both the University of Oklahoma and University of South Florida.

She has recorded chamber music on Dorian records with former Dallas Symphony conductor, Eduardo Mata, also on O.M. Records with Orquesta Sinfonica de Mineria, Luis Herrera de la Fuente, conductor and on Azica Records with the Florida Orchestra -Jahja Ling, conductor.

Carmen took part in numerous masterclasses with Julius Baker but also with Geoffrey Gilbert, Marcel Moyse, William Bennett and James Galway, among others.

Her favorite activities are spending time with her children and traveling. She is married to John Bannon-timpanist with the Florida Orchestra.

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Reviews

Written byHerald Tribune

 There's no doubt, audiences are thrilled by the Sarasota Orchestra's new music director, Anu Tali. She's brought an intense energy from the orchestra in previous performances and we found this yet again in a downright thrill ride of an encounter...  

Written byHerald Tribune

 Literally gripping the arms of my seat, I was not the only one propelled on this rollercoaster of delightful music.  

Written byHerald Tribune

 Every section and soloist within the orchestra played their role with strength and beauty; every tree proud and tall. Tali served as an excellent guide leading the forces with assured confidence. The overall sound was lush and, yes, intense just where it needed to be.  

Written byHerald Tribune

 The Sarasota Orchestra was brimming with bubbling energy...  

Written byHerald Tribune

 A lifetime of musical moments, cinematic in scope, gave every section of the orchestra a leading role at one time or another. Chief among them was the virtuosic solo of concertmaster Daniel Jordan.  

Written byHerald Tribune

 It was a thrill ride resulting in an explosion of audience enthusiasm.  

Written byHerald Tribune

 Tali conveyed a clear vision for the dramatic outline of this symphony, carefully pacing the darker, searching character of the music with pastoral conversations among voices in the orchestra.  

Written byThe Observer

 If you haven’t seen Tali yet, this will be a great introduction to the skyrocketing conductor who’s quickly becoming a household name around the world. You’ll see why we feel we’re lucky to have her here.  

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