Beethoven's Symphony No. 5 may be classical music's number one all-time hit. A masterpiece of triumph, Beethoven's "Fifth" has charmed audiences for centuries. Its opening motif is familiar to all. This celebration of Beethoven also features the Egmont Overture, a tribute to the sacrifice of a man condemned to death for taking a stand against oppression. Cheryl Losey, principal harpist of the Sarasota Orchestra, will bring her exceptional talent and passion to Ginastera's dramatic Harp Concerto.
|Date||Thursday, April 3, 2014|
|Time||Coffee and refreshments at 10:00 am
Classical Conversation at 10:30 am
|Guest||Philip Mann, conductor
Cheryl Losey, principal harp
|Price||$10 at the door|
Enjoy a one hour preview of this Masterworks concertbrought to you by the Sarasota Orchestra Association. It is an informative and enjoyable opportunity for any classical music lover to learn more about music and to heighten appreciation of the program pieces. The preview features Phil Gainsley leading a musically illustrated discussion,and includes an appearance by Philip Mann and Cheryl Losey, principal harp.
Click for Program Notes and to listen to a short excerpt.
||Overture to Egmont, Op. 84|
||Cheryl Losey, harp||
Harp Concerto, Op. 25
||Symphony No. 5 in C Minor, Op. 67
Losey was mesmerizing in her solo work. Herald-Tribune
First Season with SO: 2008
Hometown: Harpswell, Maine
Degrees/Colleges: Bachelor and Master's Degrees from Cleveland Institute of Music
Age you began playing an instrument: Harp at age 5.
Award / Musical Accomplishment you are most proud of: Selected as a prizewinner at the Munich International Competition.
Style and make of your instrument: Lyon and Healy Style 23
Mann showed himself to be a skilled musical architect, designing and executing a beautifully paced interpretation, which seemed to spring from somewhere deep within the music. San Diego Union Tribune
Hailed by the BBC as a “talent to watch out for, who conveys a mature command of his forces,” American conductor Philip Mann is quickly gaining a worldwide reputation as an “expressively graceful yet passionate” artist with a range spanning opera, symphonic repertoire, new music, and experimental collaborations. Beginning his third season as Music Director of the Arkansas Symphony Orchestra, both previous years shattered attendance records and were accompanied by unprecedented artistic growth, new energy, and financial health. Formerly as the San Diego Symphony’s Associate Conductor, he conducted hundreds of performances of Jacobs Subscription Masterworks, Symphony Exposed, family, young people’s concerts, Kinder Konzert, pops, and other special programs and projects. As an American Conducting Fellow, the San Diego Union Tribune raved, “Mann was masterful… a skilled musical architect, designing and executing a beautifully paced interpretation, which seemed to spring from somewhere deep within the music rather than superimposed upon it.”
As winner of the Vienna Philharmonic’s Karajan Fellowship at the Salzburg Festival, Mann has relationships with orchestras and operas worldwide: including the Cleveland Orchestra, l’Orchestre symphonique de Québec, Indianapolis Symphony Orchestra, Georgian State Opera, and the National Symphony of Cyprus. His recent Beethoven 9 was described as “Titanic” and his Canadian debut with the OSQ was dubbed by Le Soleil as a “Tour de Force,” and led to an immediate reengagement in 2013. Other upcoming engagements include the Grand Rapids Symphony, New Mexico Philharmonic, Little Orchestra Society of NY, and the Georgian State Opera. Previously, the music director of the Oxford City Opera and Oxford Pro Musica Chamber Orchestra, he has also held conducting positions with the Music in the Mountains Festival and Indianapolis Symphony. Mann has worked with leading artists such as Joshua Bell, Sharon Isbin, Dmitri Alexeev, Midori, Marvin Hamlisch and given premiers of major composers including John Corigliano, Jennifer Higdon, Michael Torke, Lucas Richman, and many others. He maintains a lively schedule as a guest conductor having conducted at New York’s Avery Fischer Hall and London’s Barbican Center.
Elected a Rhodes Scholar, Mann studied and taught at Oxford, and has served as assistant conductor to Franz Welser-Möst, Simon Rattle, Leonard Slatkin, Jaime Laredo, Mario Venzago, Bramwell Tovey, Pinchas Zukerman, and many others. At Oxford, he won the annual competition to become principal conductor of the Oxford University Philharmonia. Under his leadership, the Philharmonia’s performances and tours received international press and acclaim. Mann studied with Alan Hazeldine of London’s Guildhall School of Music and Drama, Colin Metters at the Royal Academy of Music, and Marios Papadopolous of the Oxford Philomusica. He worked with Leonard Slatkin and the National Symphony Orchestra at the Kennedy Center’s National Conducting Institute and Michael Tilson Thomas at the New World Symphony. Mentorship with Esa-Pekka Salonen and Jorma Panula followed at the Los Angeles Philharmonic’s Conducting Masterclasses, and Robert Spano with the Atlanta Symphony Orchestra’s international Mozart Requiem masterclass for the League of American Orchestras annual conference. He has also worked under Imre Pallo, David Effron, John Poole, and Thomas Baldner at Indiana University where he was appointed visiting lecturer in orchestral conducting, and worked as assistant conductor at the IU Opera Theater. Additional studies came under the Bolshoi Theater’s music director, Alexander Vedernikov at the Moscow State Conservatory, Gustav Meir, Kenneth Keisler, and with Pulitzer Prize winning composer Robert Ward. He is the recipient of numerous awards including commendations from several cities, and the state of California.